History
of the Sash Window
The main innovation of the sash window was the use of a counter balancing
weight. Sash windows without counter balancing were produced way before the
17th century. They were originally designed to operate horizontally (Known as a
Yorkshire sash) and then later in the vertical, as now, but they would have
been heavy to open and were held in place with wedges and stoppers.
The counter balancing idea has not been historically traced but they were well
evident towards the end of the 17th century in great houses like Chatsworth and
Kensington palace.
Sir Christopher Wren was an ardent fan of the sash window, he was no
doubt impressed by its simple but effective principle and they soon became a
distinctive feature of Georgian, regency and later Victorian buildings
throughout the country.
(There are over 40 million sash windows still in use today in the UK alone)
The development of the sliding sash window in this country was boosted by the
events of 1666 with the great fire of London. Most buildings were re-built with
sash windows as they were at that time quite a modern window. The city of
London introduced regulations stating that windows had to be set back four
inches from the face of the building to prevent flames jumping from building to
building. This is now a traditional feature of sash windows throughout the
country. Building regulations were slow to be implied locally outside of
London, in Brighton this was in the early 1800s.
Traditionally made from hard wood such as oak, the design enabled the user to
open the window as much or as little as they wished, and in a country prone to
wind they had the added advantage of not jutting out like sails catching the
wind. Most Victorian and Edwardian sash windows were constructed wholly out of
Baltic soft wood.
Early windows had smaller sections of glass (Georgian Sash) with either three
six or nine panes of glass per sash. As glass was very expensive to produce
during the Georgian period only the wealthiest home owners had large panes of
glass which became wide spread during the later part of the Queen Victoria's
rule. This is the reason that windows at the top and rear of the property's
have glazing bars (Vertical or horizontal strips of wood dividing the glass).
Large and ornate panes of glass are now associated with the Edwardian period
when ornate large pained windows were highly fashionable.
In upper class homes that were extremely exposed to the elements (Brighton
seafront for example) they sometimes fitted double sashes. This consisted of
two windows in one, an old age double glazing, Very effective. There are still
some fine examples in use today on the Brunswick and Kemptown estates in
Brighton.
Sadly as the cost of labour rose, quick to fit mass produced windows came to
the fore, but the skills of the sash window maker are still in demand and there
will always be a craftsmen somewhere who gets a special thrill from making one
of the remaining mechanical devices made from wood.
Rough time line of sash windows in the Brighton / Sussex areas area;
1650 – 1700 hardly any sash windows were fitted in this period locally.
1700 – 1750 multi pained sash windows were now being fitted to larger town
house / remodelled Elizabethan frontages to look Georgian and upper class
boutiques.
1750 – 1800 Sash windows were starting to be being made with bowed aspects and
bays to for let in more light especially in older medieval dating streets.
1800 – 1840 the regency period had made a great impact on the sash window with
larger more ornate windows being fitted as wealth had taken it hold on the
Sussex coast. These still had multi pained windows.
1840 – 1890 the sash window had taken a more bulky look with horns and large
single pained sashes stamping their mark on all of the big Victorian
developments. The invention of mass production large panes of glass had
architecturally changed the look of windows forever. Most Georgian / regency
town houses had the multi pained sashes replaced with large one pained sashes.
1890 -1914 the sash window had now taken the Edwardian look with a mixture of
ornate multi pained top sashes (a throwback to Regency period) with large
single pained sashes fitted to the bottom of the window.
Post the First World War; due to huge loss of life labour became very expensive
so new mass produced windows came to the fore, with the odd exception of a
modern mock Georgian property. These were normally made with inferior timber
and rotted after only 20 years.
Today uPVC windows are the norm due to their lack of maintenance and cheaper
cost. However as far as insulation rates and calculations are concerned
traditional timber sash windows easily compete with uPVC replacements when
installed with discreet slim line high performance double glazed sashes.